Focal Length. Shooting wild with Kenko teleconverters. Animal, flowers and airplanes. Standard 1. Add to compare. Premium 1. Kenko Tokina Co. This exhibition was held in Yokohama Japan at Pacifico Yokohama exhibition center on the 1st -4th of March and, as for the previous editions, we were glad to meet you all at Kenko Tokina booth.
On the occasion of the 60th Anniversary of Kenko Company foundation and according to a long tradition, Kenko Tokina Co. Photokina photo report. Photokina is over, meetings and presentations are done. We hope that Photokina was a fruitful event for manufacturers, sales companies and was an exciting show for consumers. Continue to other products. I would recommend this TC only to those who would have the patience to use it properly.
Most people would probably be better off with the 1. With a long lens like the Nikon , the effective focal length can be so great that holding for a sharp image becomes a real problem, unless you use a tripod.
On my Nikon D, I can't push the ISO high enough without noise to allow me to shoot fast enough for reliably sharp hand-hold images.
But when I can hold it steady, it doesn't seem to reduce resolution or add distortion, as far as I can tell, and I get great long shots. I have tried it with the lens on my Nikon D, with the higher noise-free ISO of that full frame camera.
Yes, that works better, and more of the shots are very sharp, hand held. But I use it mostly on my Nikon , as a lighter, more flexible substitute for my On my D it will occasionally autofocus with the , but not reliably. So anyone who's unwilling to manually focus might not like this TC, unless the photographer uses it with a lens having a wide enough aperture, especially one with a wide aperture and long focal length. I wish I could afford one of those.
One minor fault, possibly with my particular copy, is that it occasionally fails to transmit information to the camera to get an exposure. I think it might need to be fit onto the camera very tightly. Available in Canon and Nikon fits, with a similar model available for Sony Alpha users and with a 1. Kenko claims the Teleplus Pro AF DGX 2x is designed to match the optical quality of the lens used, and that it won't introduce any additional vigentting.
Build quality appears good, with a combination of matt plastic and rubber used for the outer barrel, and a metal mount at each end. The lens release is large and moves easily when pulled back, while two red dots indicate clearly where to mount both the lens and the teleconverter.
In terms of results, the model doesn't appear to create any vignetting, and when images are viewed close there doesn't appear to be any significant difference in chromatic aberration either.
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